Wednesday, December 21, 2011

I like purdy colors

Posted by: Dave
 



So I have finished up the drybrush and ebauche and will soon be moving into first painting. You can already tell from a technical standpoint just how manly this piece is going to be. Watch out woodland creatures, you are about to get owned by this guy. The most challenging part of the piece thus far has been selecting the color scheme. The two color studies on the upper left were executed first, but after becoming indecisive, I made 7 more. I find that if you have any doubts, you may want to explore other options even if you end up selecting the first one anyway (people do the same for dating so why not). Like the famous illustrator Gomer Pyle said, even if the first one feels right, do another 49 to make certain. I did in fact end up going with a cooler color field as opposed to a warmer brown one. It gives more of a feeling that he might actually be outdoors as opposed to an interior. I am still playing with the idea of putting snow on the jacket as well.

Tuesday, December 13, 2011

Go look at someone else's blog for once

Posted by: Dave

So I thought I would take some time to use my blog to talk about other blogs. Ironic I know. Today, I would like to talk about Will St. John and Colleen Barry's blog "A Classic Point of View." Like Kate and me, they are another artist couple living and working alongside one another. They are both instructors and graduates of the Grand Central Academy of Art in New York city. Will recently was awarded a Shapiro Grant to study in Italy for several months, and Colleen joined him there as well. Italy is one of the greatest places to study art. It is the birthplace of the Renaissance, classical architecture, terrible discotheque music, and goofy looking clothing. Their blog documents their time and projects while in Italy. They are a good reminder of how much I need to keep practicing drawing.



A little about Will: he was actually born in the same hometown as me during the same year. Seems odd, I know. However, we have to look at the history of central PA during that time to truly explain this phenomena. You see, it was the same year of the TMI meltdown, and after the nuclear fallout subsided, we began to notice strange powers emerging. Some say this is where our artistic skills derived, leading us to become artists later in life. Of course, others say it came from hard work and talent, but the TMI explanation is way more interesting.

Check their blog out here.

Sunday, December 11, 2011

The Hunter

Posted by: Dave

So I am continuing on my series of paintings about men trapping and hunting poor defenseless animals because they are delicious. This piece, "The Hunter" has the same model as the trapper, but will include a variety of hunting gear attached to his jacket, along with a double barrel shotgun slung over his shoulder. Unfortunately I haven't had a chance to import my shotgun and antique pistol up from the states yet because apparently Canadians want lethal weapons to be "registered" and "licensed" and gun owners should pass a so called "safety test." Pfft. Thats all fine and dandy until you have to protect yourself from the king of England marching into your house (yah 2nd amendment).



Here you can see the drawing study with the head more or less rendered. I set up a mannequin beside it (which is almost sight-size) with his attire. I am still waiting on a couple items from ebay to arrive however, like his bandolier. The only challenge with the set up thus far is that all I have is a female mannequin, and a hunter with man-boobs isn't really what I am going for. I had to do some clever re-structuring underneath the jacket.

Thursday, December 8, 2011

Vanitas in progress

Posted by: Kate
 
Wanna see some photos of my Vanitas in progress?


This is an early manifestation of the set up.  I find it neat how still life objects come together in paintings, and how they recur in painting after painting.  The turquoise table top is actually an old rotten shutter that I found in someone's trash while they were performing an illegal home renovation in Toronto.  I figure if they're already doing something illegal, how illegal is it for me to go through their garbage?  These same shutters appeared in my "Bottle Fly" painting and in Dave's Vanitas painting.  Which means that while Dave and I were purging furniture and kitchen ware to save money on our move across country, we decided it was necessary to keep a bunch of nasty old boards.


Here's a quick colour study.  It's kind of pointless.  I think I was trying to look busy or something so that I didn't have to help Dave with dinner.


Transferred skull.  This is a lovely panel that Dave made.


Wiped transferred outline away a bit so that it's easier to paint over.  The burnt sienna contrasts the turquoise and is going to make a neat underpainting.  I did this with my Bottle Fly so it's pretty much guaranteed to work.  When I apply the turquoise paint colour, I will do so with scratchy brush strokes and a palette knife so as to allow the underpainting to shimmer through.  The most important thing though, is to make sure that this underpainting is exactly the right value.  If you are tone blind, the monochrome setting on your camera can help you out.  But really, if you're tone blind, take up macrame or ice-sculpting or something.


If you look really close you might be able to make out two giant arrows that are pointing at two gobs of paint.  The gobs of paint are turquoise that I have mixed up to match the still life set up.  I have smeared them onto the still-wet underpainting to see if the values sit right.


Start of ébauche.


More ébauche.


I knocked back the underpainting for the wood a little bit.  There is now a motley of grey and red which I decided would work better.  It may not look like it because of the exposure of this photo, but I maintained the value when I scumbled over it.  The skull has been painted again and the flowers and shells are in place.


The skull was painted, oh, a couple more times.  For the final pass I switched to lead white.  As you can see I fudged the table top to make it about three times as thick as in the set up, and for interest's sake I added a keyhole, so ta-da, it is now a chest that the skull is resting on.  This is the first still life that I have completed from natural light and I finally have the warm-cool balance that I've been trying to achieve.  Time to go smash all my fluorescent light bulbs.




Not sure if these photos really show the full range of colour in the whites.  There's a lot of bouncing around from blue to yellow to red, which I think it kind of cool.  But that's the beauty of showing work online.  I get to say, "Oh, my camera doesn't really capture it, my work is so much better in real life," and you have to take my word for it.


Here are the pre-mixed colours I used to paint my "whites."


So the painting's done now.  Or is it?  I have this dead dragonfly just lying around, all like, "So is there a reason you've been keeping me in a tupperware in the freezer for six months?  Nah it's cool.  Don't immortalize me if you don't want to.  I'll be here the next time you go digging for frozen tater tots."

Answers

Posted by: Dave

1. Painting from "The Goonies." "Give me a nice big lickery kiss."

2. Painting of Vigo The Carpathian from "Ghostbusters 2." Who doesn't remember Vigo, the 400 year dark warlord who missed his kitten? For me, this is one of the most memorable paintings from my childhood, and still reads today as a fairly harmonious and well composed piece. The actual painting was exectued by Lou Police and is currently hanging in Ivan Reitman's home

3. Painting from the "Royal Tenenbaums." Just as cool in its randomness as its awesomeness. According to imdb, "The monster-masked men paintings in Eli's apartment are attributed to Mexican artist Miguel Calderon and were part of his 1998 exhibit "Aggressively Mediocre/Mentally Challenged/Fantasy Island (circle one)", though they were not actually painted by him. Calderón took photographs of his friends posed on motorcycles and, after deciding the photographs were not realistic, hired a portrait painter to reproduce them on canvas."

4. Formal portrait of Biff from "Back to the Future 2." Biff is one of my favorite characters from almost any film from the 80's, next to Lo Pan of course. On a side note, my friend brought up a very good point about the conclusion of the first movie which never really sat well with me. It was rather odd that at the end of the movie, Marty's family history had been completely changed with his father's altercation with Biff at the "Under the Sea Dance." The weird part is, his family didn't find it strange that all of a sudden Marty couldn't remember the last 18 years of his life upon his return to 1985. Makes you think.

5. The Necronomicon from "Evil Dead 2." The Necronomican is really one of the very few books nowadays that is worth reading. Also, if anyone responds with "what about the Da Vinci code?" You need to take a good long hard look in the mirror...then slap yourself across the face.

6. Sculpture from "Big Trouble in Little China." This was Kim Cattrell's only good role before she took the part for the grandmother in "Sex in the City."

Wednesday, December 7, 2011

Name these Awesome paintings from Awesome movies

Posted by: Dave
 

I thought I would test everyones knowledge of art history and see if you can identify what movies these masterworks came from. I will post the answers in a couple days. (And if you are wondering why I didn't include the paintings from Samantha's gallery in "Sex in the City", it is because I wanted this to be a post about awesome movies with awesome paintings, not wussy paintings from estrogeny movies. If fact, if you have ever even seen "Sex in the City", please leave my blog and only return after you have watched "Commando" and "Deathwish 3" back to back to redeem yourself.)






Super bonus ID, name the movie this sculpture is from.